The girl on the train by Paula Hawkins is another of the recent novels to garner public attention from the Huffington Post, The New York Times, and NPR among others. After a personal recommendation, I had to get a copy. It’s easy to read so you have until October 7th if you want to read it before seeing the movie! There are a couple of trailers out for it although there’s so much more to the story and they don’t give much away.
This story is the most realistic that I have read in a while. It is set in England, frequently on trains and a suburb just outside of London called Witney. Rachel takes the train twice a day past the house that she and her now ex-husband used to live. He kept living there with his mistress-turned-wife-and-mother. Due to Rachel’s infertility, depression, and blind drunkenness helped lead to the end of their marriage despite her still loving him. From the train, though, Rachel watches the next door neighbors whom she never knew, giving them an ideal backstory. However, the neighbors lives weren’t perfect and the wife goes missing which drives most of the plot. Questions surrounding the story are how do people live with the choices that they make and how well can people ever really know their loved ones?
The format itself is told in first person in journal-like entires broken up into morning and evening portions. The main and majority narrator is Rachel with Meghan the neighbor who goes missing and Anna the mistress-turned-wife. It’s an odd format as a psychological thriller, especially as at a cliff-hanger it usually jumps to a different character. Though with the pacing of the plot and the odd mystery, it’s easy to keep turning to pages to find out what happens next. One I was about a third of the way through, I became hooked and then about halfway I began hurtling towards the last page almost in a sprint to finish.
The writing itself is journalistic, with sparse yet detailed sentences that focus on action. This make sense since the author Paula Hawkins was herself a journalist. For this type of a mystery thriller, it works well. Some also have equated her writing to Alfred Hitchcock and I agree that there are similarities. She works for the small yet long build up, with unexpected story progression and honing in on certain details in a way that Hitchcock does with his films; instead of being an abrasive action-packed thriller, the pieces begin to come together over the entire duration and only come into clear focus right at the end, like a Hitchcock film.
The tone of the novel is quite eerie since it’s hard to know who to believe or how much to trust anyone. Plus Rachel makes so many bad decisions that are “cringe-worthy” (as my personal recommender told me) but it’s impossible to put the book down so as I reader I follower her along in her misguided actions, mainly due to her alcoholism. In a way, the story is a perfect storm that coalesces into a fantastically odd, enthralling thriller. As this is Hawkins first novel, I can wait for more from her!
Recommended?: For suspense and mystery lovers as well as readers who enjoy a fact-paced thriller. There’s a fair amount of violence, abuse, and of course adultry. That aside, the violence itself is low-key, although we will see if the movie ups it and adds in any gore. If any of this doesn’t sound appealing to you as a reader, then you can go ahead and it this one since it isn’t going to become a classic that everyone should read, although it’s a fun fairly quick one.